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Japan Pop: Inside the World of Japanese Popular Culture (East Gate Book), by Timothy J. Craig
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A fascinating illustrated look at various forms of Japanese popular culture: pop song, jazz, enka (a popular ballad genre of music), karaoke, comics, animated cartoons, video games, television dramas, films and "idols" -- teenage singers and actors. As pop culture not only entertains but is also a reflection of society, the book is also about Japan itself -- its similarities and differences with the rest of the world, and how Japan is changing. The book features 32 pages of manga plus 50 additional photos, illustrations, and shorter comic samples.
- Sales Rank: #780245 in Books
- Brand: Brand: M.E. Sharpe
- Published on: 2000-06-17
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 6.00" w x 1.00" l, 1.12 pounds
- Binding: Paperback
- 360 pages
- Used Book in Good Condition
Review
Of the books available, it provides the most balanced cross-section of the topics in Japanese Popular culture. -- H-Net Reviews in Humanities & Social Scienes, June, 2002
Most helpful customer reviews
43 of 55 people found the following review helpful.
Very poor introduction to the subject
By kyodo_dom
Claiming to be a book which bridges the divide between the worlds of academia and populism, Japan Pop! gets off to a poor start with an absurdly high cover price likely to put it out of reach of the casual J-Pop Culture fan. The price might have been justified had this been a glossy, photo-packed book, but seems ludicrous given that it is merely a collection of 17 essays. The essays dwell on four major areas of contemporary J-Pop Culture: music, manga and animation, TV & film and the popularity of J-Pop Culture outside of the country. It comes as little surprise that Mark Schilling's contribution, about the Tora-san character in the Otoko wa Tsurai yo (It's Tough Being a Man) film series, is the most interesting - not necessarily because of the topic, but because Schilling is the only contributor who is a writer of any repute. The majority of these essays are written by academics and it shows: footnotes abound, the Mighty Morphin Power Rangers get analysed to the nth degree and claims are made that "Sailor Moon's rearrangement of the traditional superhero myth bears hints of not only a new social order, but also the kind of moral struggles, alliances, and identities that may create and accompany it." The book also contains a number of confidence-sapping factual errors (example: Osaka band Shonen Knife "started playing in the mid-1980s" which is not true, they started playing in December 1981). Schilling's Encyclopedia of Japanese Pop Culture (Weatherhill) remains the definitive starting point for those seeking a good, accessible introduction to the subject; Japan Pop! is only for the otaku completist, and a wealthy one at that.
24 of 30 people found the following review helpful.
an academic tired of bad academics
By A Customer
In a word, this book is a mess. Methodologically suspect and theoretically uninformed, it relies on antiquated Orientalist assumptions of essential cultural identity and unchanging social forms to make the multifarious sources it cites all sound the same, which is too bad, because it is the only English-language 'scholarship' available at present on many of the topics covered. A wasted opportunity that makes me sad and mad.
7 of 12 people found the following review helpful.
Japan Pop! Fascinating and entertaining
By brian stewart
For anyone who has noticed the ubiquity of anime, sushi shops, Japanese style and other aspects of Japanese culture, this book provides a welcome and readable introduction to what Japanese popular culture is and where it comes from. I particularly liked the chapters on music but I probably learned more about Japanese culture and the mind set behind it from the chapters on television and anime. This book explains not only that there is a Japanese poular culture, but why it is the way it is. Highly recommended.
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