Tuesday, 31 March 2015

[B119.Ebook] Free PDF Harlem of the West - The San Francisco Fillmore Jazz Era, by Elizabeth Pepin, Lewis Watts

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Harlem of the West - The San Francisco Fillmore Jazz Era, by Elizabeth Pepin, Lewis Watts

Billie Holiday singing at the New Orleans Swing Club. Dexter Gordon hanging out at Bop City. Dizzy Gillespie, Lionel Hampton, Charlie Parker, John Coltrane all swinging through town for gigs. Sound like a nostalgic snapshot from the New York jazz scene, or perhaps New Orleans? Nope. This particular sentimental journey describes San Francisco's Fillmore District in its heyday. The Fillmore in the 1940s and 1950s was an eclectic, integrated, and hopping neighborhood dotted with restaurants, pool halls, theaters, and shops many minority-owned and boasting two dozen active nightclubs and music joints within its one square mile. Although it has been commemorated in songs, poems, and in Maya Angelou's I Know Why the Caged Bird Sings, few people today know of the rich history of the Fillmore and its musical legacy because it vanished abruptly and so thoroughly due to redevelopment in the 1960s. Through dozens of archival photographs and oral accounts from the neighborhood residents and musicians who experienced it at its height, Harlem of the West celebrates this unique and rediscovered chapter in jazz history and the African-American experience on the West Coast.

  • Sales Rank: #971721 in Books
  • Brand: Chronicle Books
  • Published on: 2005-12-15
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x .70" w x 7.80" l, 1.50 pounds
  • Binding: Paperback
  • 192 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Mellow memories emerge in this consummate, tightly edited look back at an exuberant way of life in San Francisco's Fillmore District during the 1940s and '50s, when dozens of blues, R&B and jazz joints flourished amid businesses run by African-Americans, Japanese-Americans and Filipino-Americans. "The entire neighborhood was a giant multicultural party throbbing with excitement and music," remembers former Fillmore Auditorium manager Pepin. Art professor Watts and TV producer Pepin faced a difficult task when they set out to document the Fillmore's musical heyday. Few photos were known, and 1960s redevelopment left vacant lots. During a 15-year period, they explored city files and tracked former residents, and the resulting oral accounts by musicians and clubgoers make these pages an evocative echo of the past. Interviews led to photographic treasure troves, and although some pictures had "aged badly," Watts repaired damaged images with digital restorations. Researching newspapers, books and magazines, the authors stockpiled a mountain of memorabilia—including a map of neighborhood landmarks, 200 b&w archival photographs, ads, clippings, handbills and posters—presented here in a 9 1/4 x 7 3/4" format. The enthusiasm of the era bubbles forth, and fold-out endpapers of long-ago logos and signs provide a nostalgic closing coda. (Feb.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
Elizabeth Pepin is a photographer, public television producer, and former manager at the historic Fillmore Auditorium. She lives in San Francisco.

Lewis Watts is a photographer and professor of art at the University of California, Santa Cruz, with a long-standing interest in African-American history in the San Francisco Bay Area.

Most helpful customer reviews

17 of 17 people found the following review helpful.
Thanks for this wonderful book
By SEPhoto
I was getting my car worked on, and took a long stroll from Geary and Masonic all the way to Booksmith on Haight St. I stumbled on this book and was absolutely floored by the amazing photographs, the detailed interviews, and the comprehensive history of the long-lost Fillmore District in full flush. My mother worked in two of the clubs back in the 1940's: the California Theatre Club, which was run by family members, and the New Orleans Swing Room. My mother is 87 now and her eyesight is failing, so I had to read much of the book to her. She remembers all of it. People she went to high school, old friends and workmates. She saw Frank Sinatra, Duke Ellington, Earl Grant, many of the greats before they got their big breaks. My father's submarine came in from the Pacific here, and he immediately started picking out names and faces. It was like old home week for them. The well-known and unknown musicians that made the Fillmore what it was. The book covers how much of this history was literally snatched from the dumpster, so intent were the city fathers on destroying this neighborhood. I remember the Fillmore from about 1968, before the now infamous "Redevelopment" made the Fillmore look like Dresden, gutting a vibrant yet neglected multiracial community. Period photographs fill the book, and contemporary interviews with those who were there flesh out the images - it seems that no one was left out. This is one of the best books I've ever seen about San Francisco, particularly the long neglected history of African-American San Francisco and a city that is, as we speak, vanishing and being replaced with a facade of what people think San Francisco should be like.

5 of 5 people found the following review helpful.
A keepsake for any who favor stories of the City's history and evolution
By Midwest Book Review
Fans of jazz music and the San Francisco music scene in particularly can't be without HARLEM OF THE WEST: THE SAN FRANCISCO FILLMORE JAZZ ERA: it charts the growth and evolution of the Fillmore District in its musical heyday in the 1940s and 50s, when it was known for its theatres, pool halls, and active night clubs packed within its one square mile grid. It's curious to note that nearly no details on this era or the Fillmore's musical heritage existed until this book's appearance - despite its commemoration in songs and poems. Archival photos and oral accounts from neighborhood residents and musician experience provide a blend of jazz and San Francisco history flavored with Afro-American cultural insights, making HARLEM OF THE WEST: THE SAN FRANCISCO FILLMORE JAZZ ERA a keepsake for any who favor stories of the City's history and evolution. Very highly recommended as a top pick.

Diane C. Donovan

California Bookwatch

3 of 3 people found the following review helpful.
great photos, intriguing history
By Suzette L. Davidson
This book is tops. Like wow, daddy-o. Really great candid photos of a lot of places that don't exist, now - and some that do. Some great interviews with folks who were there. I really like seeing how the clubs were not only places to gather for entertainment, but to hold parties and served the performers and the audience. It was a real community. There was a piece on NPR about this book that I missed and I'm glad a friend told me about it. Reminds me of the same energy that the documentary "A Great Day in Harlem" has - the stories behind the music, the social life and network of communities that come together to support live music and art.

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Friday, 27 March 2015

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  • Sales Rank: #6645836 in Books
  • Published on: 1987
  • Binding: Paperback

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Wednesday, 25 March 2015

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  • Sales Rank: #7052304 in Books
  • Published on: 2007-08-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 3.70" h x 7.60" w x 10.20" l, 5.05 pounds
  • Binding: Hardcover
  • 992 pages

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Monday, 23 March 2015

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  • Published on: 2011
  • Binding: Paperback

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Information Technology for Management: Transforming Organizations in the Digital Economy 7th Edition Binder Ready Version, by Efraim Turba

I

  • Sales Rank: #5499463 in Books
  • Published on: 2009
  • Original language: English
  • Dimensions: .90" h x 8.40" w x 10.90" l, 2.65 pounds
  • Binding: Ring-bound
  • 648 pages

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Sunday, 15 March 2015

[U949.Ebook] Ebook Free The Walking Dead Script Book #1, October 2005, by Robert Kirkman

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The Walking Dead Script Book #1, October 2005, by Robert Kirkman

Kirkman's script for issue 1, with a new cover by Cliff Rathburn.

  • Sales Rank: #3352517 in Books
  • Published on: 2005
  • Binding: Comic
  • 40 pages

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6 of 8 people found the following review helpful.
all dialogue of book
By travb
The complete, unedited, scripts for the sold-out first six issues of The Walking Dead. If you think the issues were wordy - just wait until you see what they look like without pictures! See what changed, see what stayed the same - see completely different lines of dialogue that were later improved.

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Tuesday, 3 March 2015

[Z453.Ebook] Free Ebook All the Light We Cannot See, by Anthony Doerr

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All the Light We Cannot See, by Anthony Doerr

WINNER OF THE PULITZER PRIZE
From the highly acclaimed, multiple award-winning Anthony Doerr, the beautiful, stunningly ambitious instant New York Times bestseller about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II.

Marie-Laure lives with her father in Paris near the Museum of Natural History, where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great-uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.

In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge.

Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, a National Book Award finalist, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).

  • Sales Rank: #839 in Books
  • Brand: Scribner Book Company
  • Published on: 2014
  • Released on: 2014-05-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.70" w x 6.00" l, 1.51 pounds
  • Binding: Hardcover
  • 531 pages
Features
  • WINNER OF THE PULITZER PRIZE

Amazon.com Review

An Amazon Best Book of the Month, May 2014: Does the world need yet another novel about WWII? It does when the novel is as inventive and beautiful as this one by Anthony Doerr. In fact, All the Light We Cannot See--while set mostly in Germany and France before and during the war--is not really a “war novel”. Yes, there is fear and fighting and disappearance and death, but the author’s focus is on the interior lives of his two characters. Marie Laure is a blind 14-year-old French girl who flees to the countryside when her father disappears from Nazi-occupied Paris. Werner is a gadget-obsessed German orphan whose skills admit him to a brutal branch of Hitler Youth. Never mind that their paths don’t cross until very late in the novel, this is not a book you read for plot (although there is a wonderful, mysterious subplot about a stolen gem). This is a book you read for the beauty of Doerr’s writing-- “Abyss in her gut, desert in her throat, Marie-Laure takes one of the cans of food…”--and for the way he understands and cherishes the magical obsessions of childhood. Marie Laure and Werner are never quaint or twee. Instead they are powerful examples of the way average people in trying times must decide daily between morality and survival. --Sara Nelson

From Booklist
*Starred Review* A novel to live in, learn from, and feel bereft over when the last page is turned, Doerr’s magnificently drawn story seems at once spacious and tightly composed. It rests, historically, during the occupation of France during WWII, but brief chapters told in alternating voices give the overall—and long—­narrative a swift movement through time and events. We have two main characters, each one on opposite sides in the conflagration that is destroying Europe. Marie-Louise is a sightless girl who lived with her father in Paris before the occupation; he was a master locksmith for the Museum of Natural History. When German forces necessitate abandonment of the city, Marie-Louise’s father, taking with him the museum’s greatest treasure, removes himself and his daughter and eventually arrives at his uncle’s house in the coastal city of Saint-Malo. Young German soldier Werner is sent to Saint-Malo to track Resistance activity there, and eventually, and inevitably, Marie-Louise’s and Werner’s paths cross. It is through their individual and intertwined tales that Doerr masterfully and knowledgeably re-creates the deprived civilian conditions of war-torn France and the strictly controlled lives of the military occupiers.High-Demand Backstory: A multipronged marketing campaign will make the author’s many fans aware of his newest book, and extensive review coverage is bound to enlist many new fans. --Brad Hooper

Review
“Exquisite…Mesmerizing…Nothing short of brilliant.” (Alice Evans Portland Oregonian)

“Hauntingly beautiful.” (Janet Maslin The New York Times)

“History intertwines with irresistible fiction—secret radio broadcasts, a cursed diamond, a soldier’s deepest doubts—into a richly compelling, bittersweet package.” (Mary Pols People (3 1/2 stars))

“Anthony Doerr again takes language beyond mortal limits.” (Elissa Schappell Vanity Fair)

“The whole enthralls.” (Good Housekeeping)

“Enthrallingly told, beautifully written…Every piece of back story reveals information that charges the emerging narrative with significance, until at last the puzzle-box of the plot slides open to reveal the treasure hidden inside.” (Amanda Vaill Washington Post)

“Stupendous…A beautiful, daring, heartbreaking, oddly joyous novel.” (David Laskin The Seattle Times)

“Stunning and ultimately uplifting… Doerr’s not-to-be-missed tale is a testament to the buoyancy of our dreams, carrying us into the light through the darkest nights.” (Entertainment Weekly)

“Doerr has packed each of his scenes with such refractory material that All the Light We Cannot See reflects a dazzling array of themes….Startlingly fresh.” (John Freeman The Boston Globe)

“Gorgeous… moves with the pace of a thriller… Doerr imagines the unseen grace, the unseen light that, occasionally, surprisingly, breaks to the surface even in the worst of times.” (Dan Cryer San Francisco Chronicle)

“Incandescent… a luminous work of strife and transcendence… with characters as noble as they are enthralling” (Hamilton Cain O, the Oprah magazine)

“Perfectly captured…Doerr writes sentences that are clear-eyed, taut, sweetly lyrical.” (Josh Cook Minneapolis Star Tribune)

“A beautiful, expansive tale…Ambitious and majestic.” (Steph Cha Los Angeles Times)

“This tough-to-put-down book proves its worth page after lyrical page…Each and every person in this finely spun assemblage is distinct and true.” (Sharon Peters USA Today)

“Doerr is an exquisite stylist; his talents are on full display.” (Alan Cheuse NPR)

“Vivid…[All the Light We Cannot See] brims with scrupulous reverence for all forms of life. The invisible light of the title shines long after the last page.” (Tricia Springstubb Cleveland Plain Dealer)

“Intricate… A meditation on fate, free will, and the way that, in wartime, small choices can have vast consequences.” (New Yorker)

“Doerr deftly guides All the Light We Cannot See toward the day Werner’s and Marie-Laure lives intersect during the bombing of Saint-Malo in what may be his best work to date.” (Yvonne Zipp Christian Science Monitor)

“To open a book by Anthony Doerr is to open a door on humanity…His sentences shimmer…His paragraphs are luminous with bright, sparkling beauty.” (Martha Anne Toll Washington Independent Review of Books)

“Endlessly bold and equally delicate…An intricate miracle of invention, narrative verve, and deep research lightly held, but above all a miracle of humanity….Anthony Doerr’s novel celebrates—and also accomplishes—what only the finest art can: the power to create, reveal, and augment experience in all its horror and wonder, heartbreak and rapture.” (Shelf Awareness)

“Magnificent.” (Carmen Callil The Guardian (UK))

“Intricately structured…All the Light We Cannot See is a work of art and of preservation.” (Jane Ciabattari BBC)

“A revelation.” (Michael Magras BookReporter.com)

“Anthony Doerr writes beautifully… A tour de force.” (Elizabeth Reed Deseret Morning News)

“A novel to live in, learn from, and feel bereft over when the last page is turned, Doerr’s magnificently drawn story seems at once spacious and tightly composed. . . . Doerr masterfully and knowledgeably recreates the deprived civilian conditions of war-torn France and the strictly controlled lives of the military occupiers.” (Booklist (starred review))

“Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.” (Kirkus Reviews (starred review))

“If a book’s success can be measured by its ability to move readers and the number of memorable characters it has, Story Prize-winner Doerr’s novel triumphs on both counts. He convinces readers...that war—despite its desperation, cruelty, and harrowing moral choices—cannot negate the pleasures of the world.” (Publishers Weekly (starred review))

“This novel has the physical and emotional heft of a masterpiece…[All the Light We Cannot See] presents two characters so interesting and sympathetic that readers will keep turning the pages hoping for an impossibly happy ending…Highly recommended for fans of Michael Ondaatje’s The English Patient.” (Evelyn Beck Library Journal (starred review))

"What a delight! This novel has exquisite writing and a wonderfully suspenseful story. A book you'll tell your friends about..." (Frances Itani, author of Deafening)

“This jewel of a story is put together like a vintage timepiece, its many threads coming together so perfectly. Doerr’s writing and imagery are stunning. It’s been a while since a novel had me under its spell in this fashion. The story still lives on in my head.” (Abraham Verghese, author of Cutting for Stone)

“All the Light We Cannot See is a dazzling, epic work of fiction. Anthony Doerr writes beautifully about the mythic and the intimate, about snails on beaches and armies on the move, about fate and love and history and those breathless, unbearable moments when they all come crashing together.” (Jess Walter, author of Beautiful Ruins)

“Doerr sees the world as a scientist, but feels it as a poet. He knows about everything—radios, diamonds, mollusks, birds, flowers, locks, guns—but he also writes a line so beautiful, creates an image or scene so haunting, it makes you think forever differently about the big things—love, fear, cruelty, kindness, the countless facets of the human heart. Wildly suspenseful, structurally daring, rich in detail and soul, Doerr’s new novel is that novel, the one you savor, and ponder, and happily lose sleep over, then go around urging all your friends to read—now.” (J.R. Moehringer, author of Sutton and The Tender Bar)

“A tender exploration of this world's paradoxes; the beauty of the laws of nature and the terrible ends to which war subverts them; the frailty and the resilience of the human heart; the immutability of a moment and the healing power of time. The language is as expertly crafted as the master locksmith's models in the story, and the settings as intricately evoked. A compelling and uplifting novel.” (M.L. Stedman, author of The Light Between Oceans)

“The craftsmanship of Doerr’s book is rooted in his ability to inhabit the lives of Marie-Laure and Werner…[A] fine novel.” (Steve Novak Pittsburgh Post-Gazette)

“Beautifully written… Soulful and addictive.” (Chris Stuckenschneider The Missourian)

“Doerr conjures up a vibrating, crackling world…Intricately, beautifully crafted.” (Rebecca Kelley Bustle.com)

“There is so much in this book. It is difficult to convey the complexity, the detail, the beauty and the brutality of this simple story.” (Carole O'Brien Aspen Daily News)

“Sometimes a novel doesn’t merely transport. It immerses, engulfs, keeps you caught within its words until the very end, when you blink and remember there’s a world beyond the pages. All the Light We Cannot See is such a book… Vibrant, poignant, delicately exquisite. Despite the careful building of time and place (so vivid you fall between the pages), it’s not a story of history; it’s a story of people living history.” (Historical Novel Society)

Most helpful customer reviews

1900 of 1992 people found the following review helpful.
The light within
By Jenna Frye
It has been a while since I have found a book that I wanted to read slowly so that I could soak in every detail in hopes that the last page seems to never come.

When reading the synopsis of this novel, I never imagined that I would feel so connected to a book where one of the main characters is blind and the other a brilliant young German orphan who was chosen to attend a brutal military academy under Hitler's power using his innate engineering skills.

This novel was so much more than the above states. The idiosyncrasies of each individual character are so well defined and expressed in such ways that come across the page almost lyrically. I was invited into the pages and could not only imagine the atmosphere, but all of my senses were collectively enticed from the very first page until the last.

I was so amazed with the way that the author was able to heighten all my senses in a way that I felt like I knew what it was like to be blind. In most well-written books you get of a sense of what the characters look like and follow them throughout the book almost as if you are on a voyage, but with this novel, I could imagine what it was like to be in Marie-Laure's shoes. The descriptives were so beautifully intricate that I could imagine the atmosphere through touch and sound. It was amazing, really.

There were so many different aspects of the book that are lived out in separate moments and in different countries that find a way to unite in the end. What impressed me most was that I could have never predicted the outcome. It was as though all cliches were off the table and real life was set in motion. Life outside of books can be very messy and the author stayed true to life but in a magical and symbolic way.

I have said in other reviews that just when I think that I have read my last book centered around the Second World War, another seems to pop up. I should emphasize that this book created an image of war in a way that I have never imagined before. I truly got a sense of what it must have been like for children who lived a happy life and then suddenly were on curfew and barely had food to eat. It also showed the side of young children who are basically brainwashed by Nazi leaders and made into animals who seem to make choices that they normally wouldn't in order to survive. And by survive, I mean dodging severe abuse by their own colleagues.

This book may haunt me for some time. I can't express enough how beautifully written the pages are. I highly recommend this read as it is my favorite so far for 2014.

1849 of 1957 people found the following review helpful.
One of the best books you'll read this year. Beautiful!
By Ryan J. Dejonghe
ALL THE LIGHT WE CANNOT SEE is one of the best books you’ll read this year. On one hand, the title implies the lessons learned by a young German orphan boy about radio waves. On the other hand, as the author describes it, “It’s also a metaphorical suggestion that there are countless invisible stories still buried within World War II.” Add in a newly blinded French girl who is forced to leave her familiar surroundings, and you’ll soon find yourself in literary heaven.

The layered meanings run deep in this book. No wonder nearly every advanced review uses the word “intricate” to describe this masterpiece. The German boy and his sister discover an old radio, where they hear science lessons from afar. There are lessons about the brain, sitting inside the darkness of our skull, interpreting light; there are lessons about coal having been plants living millions of years ago, absorbing light, now buried in darkness; lessons about light waves that we cannot see—all applicable as the story unfolds.

Readers will appreciate the short, almost lyrical chapters of alternating characters. The author helps by italicizing earlier mentioned quotes and then leaving almost every chapter closing with a message to ponder. Take for example: “a real diamond is never perfect”, “open your eyes and see what you can with them before they close forever”, and “the entropy of a closed system never decreases”. All of this is explained in a natural way, but never given out in an assuming manner. The story flows and draws your heart into its deep meaning.

Having personal connections to both veterans of World War II and members of the blind community, I can attest to the authenticity of this story’s writing. Author Anthony Doerr brings out lovely characters, along with their own fascinations: seashell collecting, bird watching, locksmithing, electronics, and geology. The history surrounding these personal stories is real and deep. You will fall in love.

The author also includes connections to the song Clair de Lune, the book 20,000 LEAGUES UNDER THE SEA, and a fictional story about a priceless diamond called the Sea of Flames, whose owner “so long as he keeps it, the keeper of the stone will live forever.”

I cannot proclaim loud enough how much this book means to me; I have been left awe-inspired. So, thank you to Scribner for making this book available for me to review. It has been an honor.

16 of 17 people found the following review helpful.
Brutal, Poignant, Powerful and Poetic.
By Fairbanks Reader - Bonnie Brody
I never expected to love this book as much as I did. As I listened to it on unabridged audio day after day, I couldn't wait to get into my car so that I could again resume my time in the world that Mr. Doerr created. Set in France and Germany, primarily during World War II, this is primarily a novel of two people, each very different yet both spellbound by the world.

One protagonist is a young blind girl in France who loves and is much loved by her father. When they have to evacuate Paris because of the German invasion, the girl's life is turned upside down. Her father, the locksmith for a Paris museum is entrusted with a an extraordinarily valuable stone that is said to have mythical powers. They go to a smaller city to reside with her father's uncle who suffers from Post-Traumatic Stress Disorder as a result of World War I. He is agoraphobic and can barely leave his bedroom most days. He does have one hobby however, He has a radio broadcast that he sometimes sends out that is preceded by beautiful classical music.

The German boy is brought up in an orphanage with his sister and he is a savant when it comes to engines and small machinery, especially radios. He is quickly brought to the attention of the SS and sent to a special school where his abilities are recognized and he is esteemed. His roommate is a fragile boy, one who loves birds and the magic of nature. The boys at the school bully him until their acts become tragic. While basically, a good person, the German boy is not strong and he is unable to stand up for his friend or most of his beliefs. He follows orders and then feels the shame and self-loathing that go with that.

At some point, the paths of the German boy and the French girl cross and this is the zenith of the book. The novel is written in powerful and poetic language with not a wasted sentence. Mr. Doerr is a poet and a story-teller, a man who knows how to reach the depths of the human soul. His writing is ephemeral, beatific and brutal. He understands the human condition. His characterization is superb. I felt honored to read this book.

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All the Light We Cannot See, by Anthony Doerr PDF

All the Light We Cannot See, by Anthony Doerr PDF

All the Light We Cannot See, by Anthony Doerr PDF
All the Light We Cannot See, by Anthony Doerr PDF