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This revelatory study is the most unexpected and vital piece of Le Corbusier scholarship to appear in years. Adolf Max Vogt looks to the early, formative years of the architect's life as a key to understanding his mature practice, taking aim at such fundamental riddles as "Where did his design vocabulary come from?" and "How was his aesthetic sense formed?"
Vogt's investigation of LC's early life and education not only reveals important, previously unacknowledged influences on specific projects such as the League of Nations headquarters and the Villa Savoye, but also suggests why LC throughout his career preferred to lift buildings above the ground, to give them the appearance of "floating." By uncovering crucial dimensions of LC's early life and resurrecting primary documents and source materials overlooked by other scholars, this book changes the face of LC studies.
- Sales Rank: #2825964 in Books
- Published on: 2000-02-28
- Original language: English
- Number of items: 1
- Dimensions: 8.60" h x .90" w x 7.10" l, 1.78 pounds
- Binding: Paperback
- 381 pages
From Publishers Weekly
Charles-Edouard Jeanneret, aka Le Corbusier, is a towering figure of modern architecture. He was also notoriously self-invented?from his self-aggrandizing nom d'architecte to his flagrant dissembling in his copious writings and sketchbooks about the origins of his ideas. Vogt, in this closely argued but readable book, takes as his task the reconstruction of the local and particular origins of the forms that Le Corbusier universalized. The nexus of his argument is the discoveries, beginning around 1850, of the remains of a prehistoric lake-dwelling culture in the Swiss Jura region, where Jeanneret grew up. Vogt shows how this historical awareness, awakened in Jeanneret as a child by its inclusion in the curriculum of the day, led to Le Corbusier's famous piloti, the reinforced-concrete columns he used to make his buildings seem to float above the ground. The author skillfully employs his subject's own argumentative technique of seamlessly blending word and picture?without resorting to the architect's trademark combination of soaring rhetoric and flimflam. Although Vogt's analysis of Le Corbusier's drawings and buildings (in particular, the unbuilt project for the League of Nations on Lake Geneva) is convincing and even moving, readers are left to ask themselves whether the architect, in suppressing public knowledge of his influences, doesn't demonstrate more wisdom toward them than Vogt has been in uncovering them. The author's "attempt to undercut the cult of genius" confronts the truth of Le Corbusier's genius itself: the artist's forceful reimagination of his antecedents?however obscure, provincial and contingent by themselves?makes the forms that result seem necessary, correct and inevitable. 265 illustrations.
Copyright 1998 Reed Business Information, Inc.
Review
Scholarly and witty.
(Richard Weston Building Design)Vogt has remained an outsider to the international 'Corb-Mafia.' This now turns out to be his strength. His approach is enormously refreshing.
(Stanislaus Von Moos, Universitat Zurich; author of Le Corbusier: Elements of a Synthesis)I have rarely so much enjoyed a book on modern architecture. Vogt writes a very personal reflection on Le Corbusier, what made him into the architect he was, and through him what the Modern Movement was, and yet it is at the same time a timeless look at what creativity is in architectural design and architectural thought. This book may very well prove to be a seminal study for more than the history of architecture, but in that area it is definitely new, fresh, and delightful.
(Tom F. Peters, Professor and Director, Building and Architectural Technology Institute, Lehigh University)Adolf Max Vogt's book…belongs to an exceedingly rare kind of scholarship. The author manages to survey and synthesize a vast and wide-ranging literature on the historical origins of architecture, and to assess the neglected manifestations of prehistoric conditions in the theory and practice of building in modern times…The language of Vogt's book has exceptional merit. He writes with great precision and argues with equal verve. His is a text larded with references and enriched by a lifetime of research…Vogt's manuscript belongs to the best of Le Corbusier scholarship.
(Kurt Forster, Professor, Institute for the History and Theory of Architecture, Zurich) Language Notes
Text: English (translation)
Original Language: German
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